Five Essential Truths About
Wide-Format Inkjet
By
Dan
Marx
Wide-format
digital printing is the current star of the printing industry. What started
nearly 20 years ago as an upstart technology has become a force to be reckoned
with, bolstering the robust specialty graphics industry and adding strength to
the bottom lines of many commercial printing companies. As an industry
representative for companies that use wide-format inkjet as their primary
imaging technology, I've been witness to a full-blown revolution: a complete
movement away from old-school analog technology. The adoption rate for digital
technology in our industry segment is around 99%. While I've watched this
revolution take place, I've been able to draw out some "essential
truths"-real kernels of wisdom-that can benefit any company looking to
enter wide-format or grow their existing efforts in this area.
1. It's All About the Product
When
getting into the wide-format market and making your first or next capital
investment in a piece of equipment, you must first answer an absolutely
critical question: What do you intend to make with the machine? The reason this
question is so important is that the product you produce will ultimately
dictate the equipment you will acquire. A secondary question-before you make
your purchase-is, How do you plan to grow beyond your initial plans? As an
example: If you decide to enter wide-format with a low-cost solution that
allows you to make signs for your customers, and want to branch out into
vehicle graphics or window graphics, will the machine you've purchased print
acceptably for those product areas?
2. Intended Use Is Essential
The
wide-format graphics industry, much like the screen-printed graphics industry
that preceded it, is incredibly diverse. Companies in this segment are using
the technology to print or decorate everything from circuit boards to
skateboards, and from silk scarves to wrapped cars. This high diversity in end
products leads us to a wide variety of choices regarding materials and ink sets
as they relate to the desired durability and performance of the printed piece.
Will the piece be displayed indoors or outdoors? In full sun or in a shaded
area? Will it be regularly touched or handled? Each of these questions-and
more-can guide you on your path to specifying the right tools (substrates, ink
type, overlaminate, etc.) for the job.
3. The Printer Is Important, But…
In
terms of image quality, nearly every wide-format inkjet device on the market is
capable of producing beautiful work, suitable in quality for color-critical
applications such as countertop cosmetics displays. Regardless of the machine
used, a skilled operator (well-versed in color management tools and the RIP
software associated with the printer) can achieve great results, and the
machines are becoming increasingly easy to use. Because of this "relativity"
in print quality, the print itself has become somewhat of a commoditized
product. Luckily, in this industry segment, we're not selling
"print," we're selling products, and that's where differentiation
comes in. The strong opportunities in the wide-format segment come from using
the print in conjunction with wise material choices and the use of finishing
technologies to create a unique product.
4. Speed Is Relative
For
commercial-printing companies accustomed to presses running full bore, inkjet
technology may seem slow. In fact, among some commercial printers, there is a
perception that wide-format inkjet technology is too slow to be profitable. But
speed is relative, and so is price. Not surprisingly, both are relative to each
other. You can pay $30,000 for a small, excellent machine that runs at a
moderate rate of speed, say, 125 square feet per hour. Conversely, you can pay
$3.5 million for the fastest machine currently on the market, which can churn
out quality prints at more than 5,000 square feet per hour. The real question
at play is, How much throughput do you need? Which machine will fulfill the
needs of your wide-format plans, at the quality you expect, in the timeframe
you expect, and allow you to do so profitably (and make your payments on the
machine)?
5. It Requires a Different Approach
As
commercial printers have changed from fully analog to a mostly, or fully,
digital workflow, they have been forced to change their mindset about the
nature of print. As run lengths got smaller and they began to understand and
implement some of the inherent differences of digital printing technology, they
faced a moment of reinvention. The very same has happened in the wide-format
graphics industry where print was priced based on runs of hundreds or thousands.
In wide-format digital, it is not uncommon to have a run length of one. This is
versioning on an extreme scale-mass customization writ large. Making it
profitable required a new approach, new workflow models, new pricing
structures. It's a whole new industry-really-and one that is robust and ripe
with opportunity for those who find their sweet spot.
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